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                    <pubDate>Fri, 06 Oct 2023 19:18:18 +0200</pubDate>
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                        <title>HOMO FABER FELLOWSHIP: THE FIRST STAGE OF THE INAUGURAL EDITION IS SUCCESSFULLY COMPLETED</title>
                        <link>https://press.jaeger-lecoultre.com/homo-faber-fellowship-the-first-stage-of-the-inaugural-edition-is-successfully-completed/</link>
                        <guid>https://press.jaeger-lecoultre.com/homo-faber-fellowship-the-first-stage-of-the-inaugural-edition-is-successfully-completed/</guid><pp:caseid>593986</pp:caseid><description><![CDATA[<ul><li style="text-align:justify;"><i><span>An educational programme established by Michelangelo Foundation in partnership with Jaeger-LeCoultre</span></i></li><li style="text-align:justify;"><i><span>Bringing together duos of Master Artisans and talented graduates to support craft and ensure the transmission of skills to future generations</span></i></li></ul><p style="text-align:justify;"><span>Jaeger-LeCoultre and Michelangelo Foundation announce the successful completion of the first stage of the inaugural edition of Homo Faber Fellowship. The seven-month programme began in Portugal in September with a month-long residential masterclass in creativity and entrepreneurship certified by ESSEC Business School.</span></p><p style="text-align:justify;"><span>Held at the Lisbon studio of the renowned Portuguese contemporary artist Joana Vasconcelos, the masterclass brought together 20 duos of Master Artisans and newly graduated talents (Fellows). ESSEC presented a bespoke programme to the participants, which included entrepreneurial vision, leadership skills, brand desirability, digital marketing and business planning – topics new to the audience of recent graduates, and essential knowledge for aspiring craft professionals.</span></p><p style="text-align:justify;"><span>Joanna Vasconcelos, who has been chosen as the ‘Godmother’ of this first Homo Faber Fellowship cohort, shared the artistic vision that has made her so successful – that of combining territorial and ancestral crafts with a modern point of view – and revealed her working methods in hands-on workshops. Further support was given by </span><i><span>Passa ao Futuro</span></i><span> design agency, which addressed the issues of design and sustainability.</span></p><p style="text-align:justify;"><span>During the masterclass, Jaeger-LeCoultre presented a design case study related to Art Deco and the Maison’s CEO, Catherine Rénier, together with Lionel Favre, Jaeger-LeCoultre’s Product Design Director, travelled to Lisbon to meet the participants and exchange ideas with them. Catherine Rénier shared Jaeger-LeCoultre’s vision and values related to craft and education – values rooted in a long history of facilitating the transmission of knowledge between masters and trainees to preserve vitally important skills for future generations.</span></p><p style="text-align:justify;"><span>The masterclass will now be followed by a six-month residential placement for each of the Fellows in the workshop of their corresponding Master. The Masters’ ateliers are located in five European countries – France, Greece, Ireland, Portugal and Spain – and the Fellows have been drawn from a variety of backgrounds and a diverse range of crafts, including ceramics, textiles, bicycle building, feather-work and basket weaving.</span></p><p style="text-align:justify;"><span>Beginning in late October, the six-month residential placement in the Masters’ workshops will focus on the development of practical skills. While the Masters will teach their traditional savoir-faire, the relationship is envisaged as a two-way exchange, with the Fellows bringing a modern sensibility to their work and enabling the Masters to see their crafts through fresh eyes. During their six-month residencies, the Fellows will be continuously mentored and will co-create an object with their Master, with the potential for it to be commercialised. The co-creations will be based on a theme related to Art Deco.</span></p><p style="text-align:justify;"><span>The 20 duos of Masters and Fellows for the inaugural Homo Faber Fellowship are as follows, together with names and locations of the Fellows’ schools:</span></p><p style="text-align:justify;">&nbsp;</p><p style="text-align:justify;"><span><strong>FRANCE</strong></span></p><p style="text-align:justify;"><span>Marquetry: Pierre Henri Beyssac & Inès Rauch (Ecole Boulle, FR)</span></p><p style="text-align:justify;"><span>Bicycle building: Sébastien Klein & Tom Even (Ecole Boulle, FR)</span></p><p style="text-align:justify;"><span>Metalworking and engraving: Cédric Lamballais & Léandre Le Bail, (Ecole Estienne, FR)</span></p><p style="text-align:justify;"><span>Featherworking: Julien Vermeulen & Matéo Laurent (Ecole Nationale Supérieure des Arts Décoratifs, FR)</span></p><p style="text-align:justify;">&nbsp;</p><p style="text-align:justify;"><span><strong>GREECE</strong></span></p><p style="text-align:justify;"><span>Jewellery: Akis Goumas & Karolos Vlachiotis (Art Jewellery School, GR)</span></p><p style="text-align:justify;"><span>Ceramics: Giannis Zois & Shokhrukh Rakhimov (Kamoliddin Behzod Institute, Uzbekistan)</span></p><p style="text-align:justify;"><span>Textile design: Christiana Vardakou & Emily Criddle (University of Edinburgh, UK)</span></p><p style="text-align:justify;"><span>Stone sculpture: Tom von Kaenel & Clara Coujaty (Ecole Boulle, FR)</span></p><p style="text-align:justify;">&nbsp;</p><p style="text-align:justify;"><span><strong>IRELAND</strong></span></p><p style="text-align:justify;"><span>Ceramics: Mike Byrne & Noel Donnellan (Van der Kelen Logelain, BE)</span></p><p style="text-align:justify;"><span>Silversmithing: Seamus Gill & Claire Mooney (Ulster University, IRL)</span></p><p style="text-align:justify;"><span>Cabinetmaking: Stephen O'Briain & Richard Butler (Atlantic Technical University, IRL)</span></p><p style="text-align:justify;"><span>Furniture making: Sasha Sykes & Jackson Byrne (Dun Laoghaire Institute of Art, Design and Technology, IRL)</span></p><p style="text-align:justify;">&nbsp;</p><p style="text-align:justify;"><span><strong>PORTUGAL</strong></span></p><p style="text-align:justify;"><span>Stone sculpting: Alzira Antunes & Corentin Fossemo (L’Association Ouvrière des Compagnons du Devoir et du Tour de France, FR)</span></p><p style="text-align:justify;"><span>Textile design: Vanessa Barragão & Yaroslava Shkurat (Ecole Duperré, FR)</span></p><p style="text-align:justify;"><span>Basketweaving: Isabel Martins, & Alba Fernandez Castro (Escola Massana, ESP)</span></p><p style="text-align:justify;"><span>Cabinetmaking: Tomás Viana & Soraia Santa (Ricardo Espírito Santo e Silva Foundation, PT)</span></p><p style="text-align:justify;">&nbsp;</p><p style="text-align:justify;"><span><strong>SPAIN</strong></span></p><p style="text-align:justify;"><span>Engraving: Dan Benveniste & Guillermo Garcia (Artediez, ESP)</span></p><p style="text-align:justify;"><span>Gold thread embroidery: José Luis Sanchez Exposito & Gonzalo Garcia Cuevas (Centro de Formación Profesional Dolores Sopeña, ESP)</span></p><p style="text-align:justify;"><span>Textile design: Camila Puya de Arcos & Sofia Lausero (Escola Massana, ESP)</span></p><p style="text-align:justify;"><span>Metalworking: Ramón Recuero Ibáñez & David González Parrilla (Escuela de Herreros Ramón Recuero, ESP)</span></p>]]></description><category><![CDATA[Homo Faber Fellowship,homo faber,carousel]]></category>
            <pubDate>Tue, 03 Oct 2023 16:25:05 +0200</pubDate>
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